
Overture
Why Overture? Because every movement needs a beginning, that first swell of sound that hints at what’s to come. In an orchestra, the overture is the piece at the beginning of an opera, play, etc, that gathers everything: tension, melody, anticipation. It opens the curtain. That’s what this issue feels like—a collective first note. Each poem, essay, and story carries something new. A search, a rediscovery, a refusal to be reduced to a single story. In editing these pieces, my team of Editors and I were reminded that beginnings are not always easy, but despite all the challenges we faced, together we have achieved something remarkable that we can be proud of. And it only gets better from here. Overture is our beginning. Our first flight. We intend to fly as high as we can. If you’re reading this, thank you for being part of this. Stay with us. The music has only just begun.
IN THIS ISSUE:
Fiction:
Benjamin Cyril Arthur — Strange Meeting
Poetry:
Ago Serwaa — From Tamale To Tema Station
Scott Frost — We Hunger
Denoo Edinam Yawo (Poetic Siren) — Nightbloom Is A Kind Of Recipe
Emmanuel Papa Quansah — My Father Has Gone Mad
Poema — Why We Dream In Black And White
Creative Non-Fiction:
Isabella Aduah — Embracing the Battles Within: A Reflection on Mental Health, Faith, and Silence
CREDITS:
Magazine Cover Image
Photography: Mrr Darko
Post Cover Images: Kwesitheartist, Asiama Junior, Thenwiaka, Mwakapila Victor
Creative Non-Fiction
Poetry







